The World According to Keitho

Just another WordPress.com weblog

Glass Enclosure

Posted by keithosaunders on December 17, 2016

It took me almost half a year but I finally finished it – a piano transcription of Bud Powell’s Glass Enclosure. It was such painstaking work that two to four bars would take 40 minutes at which point I’d either be out of time or exhausted. The middle section, in which many of the measures contain a different chord for every beat, was particularly thorny. I’m confident I have accurate melody and harmony, but with the lower fidelity of 50s recordings I can’t be certain of the voicings. They are very close, though, and the genius of the piece is evident.

Glass Enclosure was written in 1953 shortly after Powell had been released from Creedmore State Hospital in Queens. According to a 1996 article in Atlantic Monthly written by Francis Davis, Bud, who had an ongoing engagement at Birdland, was kept locked in his apartment during the day by his manager, who was also his legal guardian. One day producer Alfred Lion, the co-founder of Blue Note records, came to Bud’s apartment and heard him working on new material. Glass Enclosure was the most striking of the songs he heard.

After living with this piece for 6 months my level of awe for Bud Powell has increased, if this is possible. The way I see it Bud’s repertoire can be divided into four distinct categories. There are compositions such as Dance of the Infidels, Wail, and Bouncing With Bud which are brilliant, as well as accessible to mortals.

Then there are the through composed pieces that are somewhat inaccessible, such as Glass Enclosure, Sure Thing, and Un Poco Loco. There’s also Tempus Fugit, which you can blow on, but is ultimately a giant pain in the ass. The thing is, even if you learn these tunes, what are you going to do with them other than attempt to play them as much like the original as possible?

In addition there are Powell’s reworking of standards such as I Should Care, Over the Rainbow, and Polka Dots and Moonbeans. These are so personal to him he may as well have composed them.

Then there is late Bud which still contains some gems such as John’s Abbey, Time Waits and Cleopatra’s Dream.

I believe that there is a legitimate case to be made that because of his compositions and the debt that every subsequent pianist owes him, Bud may have been deeper than Bird. At the very least they’re on par.  See for yourself.

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

 
%d bloggers like this: