The World According to Keitho

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Posts Tagged ‘Tony Williams’

The main event: The John Coltrane Quartet!

Posted by keithosaunders on October 14, 2015

I just saw this for the first time last week:  The John Coltrane Quartet playing A Love Supreme live.  Amazing stuff. McCoy’s solo on Resolution, which begins at appx 7.50, is devastating.

I really believe that in an Anchorman-style rumble the Coltrane Quartet would have no trouble with Mile’s 60s quintet. I realize that Miles’ group would have a man advantage, but the quartet would outweigh them and are going to want it more.

Now some of you are probably saying, ‘Woah, woah, woah, Miles knew boxing, mannnn!’ To that I would respond, one word: Elvin.

Elvin would be like, ‘You want a piece of this, Miles?’ *Ba bam bam be ke de bam [three against four to the face] GOOSH CRASH BE BAM CRINKLE OH SNAP [paradiddle] GA-GOOSH IMPOSSIBLE FOR YOU TO PLAY 6/8 GROOVE GROAN SKOOSH CYMBAL*

And that, my friends, would be the end of the Miles Davis Quintet. I would hope they already had recorded Miles Smiles cause that shit is my favorite.

https://www.youtube.com/watch?v=_qt435yF2Qg

John Coltrane’s masterwork, A Love Supreme, was only played once in live concert. This portion is the only surviving film of that 1965 performance.
YOUTUBE.COM

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The greatest piano solo I’ve ever heard

Posted by keithosaunders on September 12, 2015

I’ve always liked Herbie Hancock but for whatever reason he has never cracked my top 3 favorite pianists. (Bud Powell, Wynton Kelly, McCoy Tyner) I was into most, if not all of his leader dates in the 60s, (Speak Like a Child is a top 5 record for me) and love him with Miles. Yet…there was something preventing me from going all in. I liked him as a friend.

Until…this. On the very first tune of this video, at apx 8:38 he plays a solo on Autumn Leaves that is so monumental that I am surprised that the space-time continuum was able to maintain its structural integrity and that there still exists an earth where there are standards with chord changes in 32 bar forms. That we try to play. And fail.

This is one of the best piano solos I’ve ever heard. It’s a fully realized, harmonically mind blowing, yet seriously grooving, logic defying masterpiece.

For some reason Wayne ends his solo at the bridge. (why did he do that?) Herbie starts out with some clusters suspended over a pedal point. He’s doing the ropadope – like he’s biding his time, patiently waiting for the chorus to come around and then BAM!

 

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